
Netflix’s ‘Do Revenge’ is an ode to the early 2000s teen genre
Julie Huynh, Journal Contributor
• September 28, 2022

‘The Fallout’ tackles the reality of grief and redefining yourself
Sarah Lukowski, Arts Editor
• February 8, 2022

IFFBoston: Student filmmaker drew inspiration from China trip
Imani Hill, Journal Contributor
• May 24, 2021

IFFBoston: Mikkelsen is mad for revenge in ‘Riders of Justice’
Imani Hill, Graduate Contributor
• May 24, 2021

IFFBoston: ‘We’re All Going to the World’s Fair’ is a disappointing horror film
Imani Hill, Graduate Contributor
• May 11, 2021

IFFBoston: ‘A Reckoning in Boston’ examines racial inequalities
Imani Hill, Graduate Contributor
• May 11, 2021

“Black Boys” illuminates the toll of racism on Black men in America
Sarah Lukowski, Arts Editor
• February 16, 2021

If you have any sense and sensibility, watch ‘Emma’
Sarah Lukowski
• March 4, 2020

Review: Aaron Paul revives iconic ‘Breaking Bad’ role
Eddie Reinhardt
• October 23, 2019

Review: ‘The Lighthouse’ bends horror film genre
Morgan Hume
• October 23, 2019
Netflix original ‘Tall Girl’ plays too heavily on rom-com clichés
Phoebe Adams
• September 25, 2019
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